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MOSTRARE E CANTARE LA BRUTTEZZA SULLA SCENA DELLA COMÉDIE-ITALIENNE DI PARIGI : ZÉMIRE ET AZOR DI MARMONTEL E GRÉTRY (1771)

Abstract : Show and sing the ugliness on the scene of the Comédie-Italienne of Paris : Zémire et Azor of Marmontel and Grétry (1771) · My contribution wants to identify the dramaturgical device that makes Zémire et Azor paradigmatic of the beginning of the French aesthetic change concerning the exhibition of ugliness at the theater in the modern age, a change that will naturally find its development during the nineteenth century. The comédie-ballet of Jean-François Marmontel and André-Ernest-Modeste Grétry is set up for the first time at the court of Fontainebleau in November 1771 for the engagement of the Delfino of France with Marie Antoinette of Austria and will then be replicated with a notable success at the Comédie-Italienne in Paris
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https://hal.sorbonne-universite.fr/hal-01963462
Contributor : Andrea Fabiano <>
Submitted on : Friday, January 11, 2019 - 2:29:05 PM
Last modification on : Wednesday, May 27, 2020 - 12:30:04 PM

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Andrea Fabiano. MOSTRARE E CANTARE LA BRUTTEZZA SULLA SCENA DELLA COMÉDIE-ITALIENNE DI PARIGI : ZÉMIRE ET AZOR DI MARMONTEL E GRÉTRY (1771). Rivista di Letteratura Teatrale, Fabrizio Serra Editore, 2018, ⟨10.19272/201830901001⟩. ⟨hal-01963462⟩

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